PAINTINGSFROM THE COLLECTIONPAINTINGSFROM THECOLLECTION

Four nude figures stand out against dense green foliage, their legs stretched until they meet and braid together at the bottom of the canvas.

1991Acrylic on canvas, 90 × 101 cm

A reclining woman in a white slip is outlined in dark blue, her legs pale lilac with black lace edges, set against short green and yellow brushstrokes.

1989Acrylic on canvas, 60 × 45 cm

A wine-red figure with pointed horns rises against a yellow ground, inside a frame painted directly onto the canvas that belongs to the picture itself.

1989Acrylic on canvas, 80 × 100 cm

Two palely glowing bodies lie woven into black and deep red drapery, the lower one turned upside down against the upper.

1982Acrylic on canvas, 90 × 100 cm

Pink limbs wind across a torn yellow-green plane, and a small black human silhouette at the bottom reveals how large the form is.

1989Acrylic on canvas, 80 × 100 cm

A figure in pink and purple throws itself forward over a dark blue floor, and the same body carries two heads turned in opposite directions.

1995Acrylic on canvas, 85 × 100 cm

Ochre and reddish-brown bodies are braided into a single mass against a grey horizon, while pale, shell-like forms unfold from it at the top.

1990Acrylic on canvas, 100 × 85 cm

A hand with unnaturally long fingers rests over a yellow body against a black ground, and the transitions are so soft that the brushstrokes disappear.

1990Acrylic on canvas, 100 × 85 cm

A fine mesh is painted stitch by stitch over a twisting body, and the hair sweeps in a broad wave across the top edge of the picture.

1990Acrylic on canvas, 81 × 100 cm

The woman is seen from behind with her hands at her back, her hair drawn into a long black swing and her legs repeated as ochre loops.

1994Acrylic on canvas, 75 × 100 cm

On an almost entirely black canvas, a torso is painted purely as light, a narrow crest of cream and red twisting through the darkness.

1989Acrylic on canvas, 75 × 100 cm

Dark violet contours close around pockets of orange and yellow light against a pale turquoise ground, with drawn lines below that lay a floor under the form.

1989Acrylic on canvas, 65 × 100 cm

A seated woman twists her body toward a blue-green wall, her hair yellow like a flame and her hand raised to her mouth.

2004Acrylic on canvas, 60 × 74 cm

Vertical black-outlined forms in turquoise and yellow stand close together on a white field with torn edges, against a grey and olive-green ground.

1980Acrylic on canvas, 75 × 100 cm

Blue-grey forms hover above a horizontal line, and beneath it the same form returns as a reflection with a yellow-green glow inside.

1980Acrylic on canvas, 83 × 100 cm

A net of dark red lines spreads over yellow and violet, and beneath it pale blue-grey volumes rest and close into a rounded form.

1980Acrylic on canvas, 80 × 100 cm

A tall blue and violet form rises from a white field against a turquoise ground, with an ochre strip as ground at the bottom.

1979Gouache on board, 70 × 100 cm

Blue and turquoise arcs sweep across an olive-yellow ground, and where they open, sprayed white forms glow through, suggesting a body.

1979Tempera on board, 70 × 100 cm

Red and pink washes flow out across the board, crossed by magenta and dark blue lines that gather around yellowish-white cores.

1979Gouache on board, 70 × 100 cm

Body forms grow together in blue and violet, their contours drawn with dotted black lines and surrounded by purple stains that have run out.

1979Gouache on board, 70 × 100 cm

Against a uniformly red ground, two white sprayed figures with thin black contours stand out, one with yellow hair, above a few drawn floor lines.

1979Tempera on board, 70 × 100 cm